Set in a little town called Zushi not far from Tokyo, it’s the couple’s last day before they are officially divorced. He asks her out for a walk, they walk separately and their conversations very evidently reflect that their relationship is long gone.

It’s Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. (Synnøve and Michelle are mother and daughter in real life and play versions of themselves in a story that is very close to their own lives.)

An audiovisual affinity unfolds in an episodic narrative interspersed with various landscapes and literary references. Creation of languages and abilities to send out signals are conveyed as characteristics of sensitive and fragile constitutions as well as a from of empowering, such as those found in such diverse forms as mimosa or dyslexia.

‘RADIO FREEDOM’ tells the story of an idealistic man turned ham radio operator trapped in a besieged town. He finds refuge in an improvised radio station where he reports the war and helps his fellow citizens connect with their loved ones outside the town. His struggle for survival leads him through the war torn town where danger lurks from all sides.

The daily life of Mihajlo, a factory worker in a neglected industrial town. Testimonies about his life are given by the people around him. At times, these people are seen as part of Mihajlo’s daily routine, but after the character leaves the stage, their voices remain as the narrator. What they don’t know is that Mihajlo obsessively steals tools from the factory and suffers from lost love. And they can’t anticipate what is going to happen one morning.