MARY PANSANGA, Thailand

Mary Pansanga is an independent curator working across cinema and contemporary art contexts, institutions and spaces. Her interests lie in exploring different forms of experimental moving images. She has put together screenings, exhibitions and other related projects, at art spaces and film festivals. Her projects include Extracting the Unrecognized (2013) as part of Messy Project Space, "Live at the Scala" micro festival, In Transit (2013) at the Art Center, Chulalongkorn University, Multiple Planes, Bangkok Art and Culture Centre as part of PhotoBangkok (2018) and the 5th and the 6th editions of the Bangkok Experimental Film Festival, Misfits: Pages from a Loose Leaf Modernity, HKW Berlin (2017), In Situ from Outside: Reconfiguring the Past in between the Present, National Museum, Bangkok (2019).

KEIKO SEI, Japan

Keiko Sei is a writer, curator and educator in media art/activism. Her curatorial projects include "The Media Are With Us!: The Role of Television in the Romanian Revolution" (Budapest, 1990), "Eastern Europe TV & Politics" (Buffalo New York, 1993), "POLITIK-UM/new Engagement," (Prague, 2002), “Re-designing East,” (Stuttgart, Gdansk, Budapest, Seoul, 2009-2013). She writes for publications worldwide including springerin (Austria), worked as an editor of documenta 12 magazine and coordinator of Southeast Asia region for “documenta 12 magazines project”, and has published books including Von der Burokratie zur Telekratie (Germany) and Terminal Landscape (Czech Republic).. She has given numerous workshops worldwide and taught at schools including FaVU VUT Brno (Czech Republic) and HFG Karlsruhe (Germany). Currently she works to provide film and video education in Myanmar, which she started in 2002, and has helped establishing Wathann Film Festival/Institute. 

MANOTHAM TIAMTIEBRAT, Thailand

Manotham Tiamtiebrat (in short & casual, 'Pop') despite a long time in his career, but he still regards himself as a young and new generation movie critic who d exposed and expanding a new frontier in writing film review contributions, that there re far more boundaries of cinema beyond main-stream outputs. Besides working restlessly on writing yet he d never seems to get tired, he s still a lecturer for training work-shop programs and film-school, he s also enthsiaste in looking for new talents as a jury member in compettitiveness in film festivals.